Your glyph contours are drawn inside the advance width (but may also overhang outside the width). If a kerning pair is defined between two glyphs, the 2nd glyph’s placement is shifted by the kerning pair value. Then, the 2nd glyph is placed at the text cursor. When you type text using a font, each glyph appears and the text cursor is shifted by this glyph’s advance width. The Metrics Window lets you set the width, sidebearings and kerningĮach glyph is a design on an advance width.

Create intermediate weights with Blend Fonts. Make the glyphs lighter or bolder with Change Weight. Measure distances with the Measurement tool, and use arbitrary vector shapes as guides in the Guidelines layer. Turn template bitmaps into outlines with precise Auto Trace. Place curves and bitmaps into the Template layer for reference. ‍ Scale, Rotate, Slant losslessly thanks to the fractional precision, Align Points to Grid to snap the points to preview the final font outlines in integer coordinates.ĭraw on the Outline layer. Turn on Auto Curvature to keep nodes extra-smooth. Remove nodes manually with Merge Points and automatically with Clean Up Paths while keeping the shapes of the curves. Draw calligraphic strokes with the pressure-sensitive Calligraphy Pen.Īdd nodes and slice through segments with Knife.

Draw geometric shapes with the Rectangle or Polygon tools (including stars and rounded corners), and with the Ellipse tool. Originally developed by the same team as the drawing program Freehand, Fontographer (or “ FOG”) was the first software product on the Mac ever to include Bézier drawing tools, and is still famous for its clean, robust and easy-to-use user interface.ĭraw curves with the classic Bézier Pen tool or use the Curve, Corner, Tangent, Arc tools to build your outline step-by-step. The Glyph Window has a rich set of easy-to-use yet powerful Bézier tools

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